ext_245519 ([identity profile] i-themagician.livejournal.com) wrote in [community profile] tampered2008-10-29 12:03 pm

log; in progress

When; Thursday, October 30th, the night of the masquerade
Rating; PG
Characters; Lucy Saxon ([livejournal.com profile] inbetrayal) and Clow Reed ([livejournal.com profile] i_themagician).
Summary; He was the one who closed the door, yes, and then locked it - but it was understood that she could crack it whenever she wanted.
Log;

Dancing. A wonderful pastime. The best thing about it is that it gives you the opportunity to flirt with and impress people with whom you have absolutely no intention of getting involved - the addition of masks only makes it better, enabling you to do so under the pretense of anonymity. In the nineteenth century, masquerade balls were little more than an excellent excuse to go home with someone other than your spouse with the (dubiously) plausible deniability of not realizing who it was.

Clow doesn't have any desire to go home with anyone tonight, but he gets an odd bit of amusement out of making people think otherwise. It works - he doesn't even look like himself dressed in a white suit and with that feathery mask with the wing motif. It's hard to say how exactly he solved the problem of trying to wear spectacles and a mask at the same time, but there you go. He's being a bit of a wallflower at the moment, watching the dancers and the attendees as a whole and trying to pretend that he doesn't see that familliar figure across the dance floor.

[identity profile] inbetrayal.livejournal.com 2008-10-30 02:06 am (UTC)(link)
Disguised he may be (as is anyone else present in the proceedings, of course), but Lucy can and has recognized him, glancing over as unobtrusively as possible throughout the course of the last hour. She's debating, really; she could go over and make an effort to hold a conversation, to be nice. She'd be lying if she said she didn't miss him, but she can't presume to know he feels the same way. But finally, finally she does come to a descision. It's worth a try, after all, and so the masked woman in red (as always, as ever; it's a recurring motif, and no wonder) makes her way across the makeshift dance floor towards him. Quietly, of course, removing herself to the edges of the place and travelling slowly with the crowd, until she reaches him, stepping up next to him and extending a hand to touch his arm.

"Would it be too presumptuous to ask for a dance?" It's asked quietly and innocently enough; there's no hint of expectations, plans, anything of the sort in her tone for once.

[ooc: awprtjkqrkjfnlajlsadfjlksanlksa I am so sorry for the... hours-long-lag asdlkfjlsfjlsadfj I ended up napping for like a MILLION YEARS and then had to do an assload of chem hw. DON'T KILL ME PLS CHIBUTT?]

SOB YOU'RE A HORRIBLE PERSON. LOVE IS OVER.

[identity profile] inbetrayal.livejournal.com 2008-10-30 03:50 am (UTC)(link)
She would be disappointed any other way; of course, she's playing her own part in all of this, and the irony and appropriateness of a lady asking this particular gentleman to dance is not lost on her. The music - admittedly almost lost in the hubbub of a crowd - ends, veers into a waltz, and so does the pair. Lucy is, at worst, a competent dancer, and at her absolute best a stunning one (being a bit out of practice has left her unfortunately more on the lower end of the scale, but the stadium and tonight have helped her recall the proceedings to some degree). Thankfully enough, this is one she knows well enough that she can simply let Clow lead; it lets her be able to think for once, and gives her an opportunity to talk.

Finally, she says, honestly enough if not in a manner that is outwardly vulnerable, "I've missed you, you know." She doesn't necessarily mean as in a relationship, either, or an attempt to fix that; she saw him as a friend first, and even after their time together ended, that was something she believes they both wished (even simply as a matter of having allies and friendly acquaintances) to keep. It's been strained, though, and after recent events brought even closer to the breaking point.
So, she's making an effort, trying to be nice, putting that mask back on (or maybe taking another one off)- how apropos to the occasion.

[ooc: orz orz. no worriesss <333 and lkadfjlka apparently eljay is going down later tonight too. >_>]
Edited 2008-10-30 03:50 (UTC)

[identity profile] inbetrayal.livejournal.com 2008-10-30 08:49 pm (UTC)(link)
She's used to old men, really. They're everywhere in politics, after all, and that's what she grew up with - no wonder that all of her 'choices' in relationships would follow the same course. She refrains, however, from asking after his ankle, because obviously it's better (at least, enough), and it'd be rather distasteful given that it was her husband who inflicted the injury in the first place.

She does keep a careful physical distance as they dance, though - not enough to hinder the movement, but it's kept carefully neutral in any case. "Depending on your definition," she says, carefully but pleasantly - remember her position, and that the things she wishes for most are almost definitely seperate and different from his. "But it would be a shame to lose a friendship."

[identity profile] inbetrayal.livejournal.com 2008-10-31 03:28 am (UTC)(link)
When he asks, she nearly falters, fingers tightening on his hand. It's more a gesture of warning than anything else, really; a controlled sort of anger, or unsettledness, or even discomfort that he asked, though she knew he'd have to sometime. "They're fine," she says, evenly enough, though the obnoxious refrain in her mind is one of even though it's none of your business. It's not quite an adequate answer for the situation, but it's not one she quite feels like expanding on - and that tension is quite visible in how she's holding herself.

[identity profile] inbetrayal.livejournal.com 2008-11-01 03:44 am (UTC)(link)
There's so many answers to that; most of them simply verging on the sense of gut feeling rather than a logical (or even intelligent) course of action. Because he knows me. Because we used to be happy. Because I feel lost without him, without anyone. Because I don't know what else to do.

For a moment, she's almost tempted to just reach for him, hold onto him as tightly as possible and just cling. Of course she can't, though; it's not right at this point and she should remember that that avenue is one she doesn't have the luxury of taking anymore. So she just smiles at him, a slight, almost-sad smile, and doesn't say anything at all.
Edited 2008-11-01 07:02 (UTC)

[identity profile] inbetrayal.livejournal.com 2008-11-02 05:08 am (UTC)(link)
She could probably come up with a few viable synonyms if she tried, really. She lets him, though - she's almost slightly surprised by it, and has the slightest feeling of trepidation about it, but she lets him. She even brushes her fingers - of the hand on his shoulder - against his jaw, briefly. It's a small gesture of affection, a little bit of vulnerability willingly shown in return.

After a few more measures, listening to the music slow down (the end of the song coming, soon), she says, just quietly enough for only him to hear, "Do you remember what I said to you, that night after the memory curse?"

[identity profile] inbetrayal.livejournal.com 2008-11-02 06:29 am (UTC)(link)
"Then I imagine you'll have to recall what I'm referring to on your own," she says, very softly, leaning up just far enough so her lips are next to his ear, "because I won't say it again." It's not a seductive movement, or even coy (at least not purposefully), but it's an action almost a bit too intimate for the setting - the masks are emboldening, a pretension of anonymity and thus to lack a consequence. "But I want to say: it still holds true."

The music slows, then, dipping to a halt as the song ends (and so, too, the dance). She pulls back, meeting his eyes not with hope but again, rather, that small bit of sadness - more fond than anything else this time.

[identity profile] inbetrayal.livejournal.com 2008-11-02 07:49 am (UTC)(link)
She closes her eyes for a moment as he touches her face, eyelids fluttering shut as she leans forward just a bit in response. Of course he does, and of course it won't change anything. He pulls away, and her eyes flicker open again, but she doesn't do anything to stop him - just watches as he walks away, standing still in the midst of a flurry of movement.

She could be happy - she has, but it would only be a halfway sort of joy at most. Bittersweet, and though she's hardly feeling any joy right now, there is the bitter part - a tightness in her throat, a prickle in the corners of her eyes. Wishes never do get granted in quite the way they're supposed to.