http://lastpunchline.livejournal.com/ (
lastpunchline.livejournal.com) wrote in
tampered2009-09-08 08:50 pm
(no subject)
When; Friday, September 11th
Rating; R - language and violence
Characters; Eddie Blake
lastpunchline and Adrian Veidt
caughtthebullet
Summary; Is it karma when you end up in the same cell as your enemy? Or is it the ultimate sitcom?
Log;
The most noticeable thing is that the bastards smelled. How they got the jump on the Comedian is something between Blake and the goons, but it helps that he was asleep and they had enough muscle to hold on; but why they were dragging him in, he doesn't know. As far as Blake knows, he hasn't committed any crimes in the City. His first thought is the warden, maybe the gook didn't like being called Hirohito, but then Blake dismisses that. He was too busy with stuffed animals and was barely doing the job, anyway.
The cell is small and there's already someone in the bed, and after Blake's shaken off the guards he looks it over. The person in the bed is passed out - for whatever reason - and for the moment the Comedian dismisses him as irrelevant. There had to be a way out of the prison, and Eddie was going to find it. He's inspecting the walls when suddenly he realizes who's in the bed (single bed, of which there is only one. What is this, hell?).
Eddie moves to wake Veidt and demand what's going on, but before he does he realizes. Ozy-fucking-mandias is passed out. Defenseless - for once. Eddie doesn't hesitate more than that, with Adrian it's death just to do that, and he aims his hands for pale man's neck.
Rating; R - language and violence
Characters; Eddie Blake
Summary; Is it karma when you end up in the same cell as your enemy? Or is it the ultimate sitcom?
Log;
The most noticeable thing is that the bastards smelled. How they got the jump on the Comedian is something between Blake and the goons, but it helps that he was asleep and they had enough muscle to hold on; but why they were dragging him in, he doesn't know. As far as Blake knows, he hasn't committed any crimes in the City. His first thought is the warden, maybe the gook didn't like being called Hirohito, but then Blake dismisses that. He was too busy with stuffed animals and was barely doing the job, anyway.
The cell is small and there's already someone in the bed, and after Blake's shaken off the guards he looks it over. The person in the bed is passed out - for whatever reason - and for the moment the Comedian dismisses him as irrelevant. There had to be a way out of the prison, and Eddie was going to find it. He's inspecting the walls when suddenly he realizes who's in the bed (single bed, of which there is only one. What is this, hell?).
Eddie moves to wake Veidt and demand what's going on, but before he does he realizes. Ozy-fucking-mandias is passed out. Defenseless - for once. Eddie doesn't hesitate more than that, with Adrian it's death just to do that, and he aims his hands for pale man's neck.

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It takes a single breath for him to know a shadow is looming and fingers are looming even closer. Dressed only in pants, yes they are silk and yes they are purple, means little to him. He doesn't need his suit of armor to fight. If he did Ozymandias would never have made a name for himself.
His heel whips out to connect with his attacker's stomach, barely a hair's width of time before hands connect with his neck.
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The heel to the stomach is something he genuinely didn't see coming. Veidt isn't the fastest man alive for no reason, but Eddie does outweigh him, at the very least. "Fuckin---" he manages, and he turns one hand into a fist to attempt to punch through Adrian's face.
If he makes contact, though, remains to be seen.
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Where there was one bed for two unlikely cellmates, now there is possibly no bed if Eddie still has it in him enough to punch holes through walls. Adrian rolls off the edge of the mattress to put much needed distance between them. He'd never boast about their last fight--the one in New York--being easy because it wasn't.
"Blake," the blond hisses, accent missing.
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"Morning, sunshine," he says, wishing desperately that he had a cigar. Instead all he has are a pair of boxers and the person he hates most in the world (Sally's ex-husband notwithstanding). "Did you sleep well?"
Unsurprisingly, Eddie doesn't care how Adrian slept. What he does care is that they're both here, in a small cell, and not in their respective apartments where they can hate each other from a distance.
And they're both wearing only their sleepwear.
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"You're still here. Either you have no way out or you've barely had time to consider it."
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"Five minutes. The goon squad just dropped me off."
He looks around again. First off if he has to spend the night here, it won't be the worst place he's ever slept, although it'll certainly rank up in the top 5 if only because of the company. "You didn't even know you were here, did you?" They must have really gotten the jump on the world's smartest man to achieve that particular feat.
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And, the kind of man who throws men who outweigh him through windows.
"Perfect. Vietnam may serve a purpose after all."
The remark is coolly sarcastic because he highly doubts any of Eddie's experience in war will come to good use in getting out. Fighting off more 'goons' while making an escape is another matter entirely and here even Ozymandias must acknowledge the Comedian is an asset. The kind of asset he can perhaps 'forget' to pull through when say steel doors come closing in, but they'll get to that when they get to that.
"I know I'm here now and I am still more disgusted than afraid. What does that tell you," he says with a look from toe to head over the other man.
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"One crapper, you're too big to flush." There's no trace of humor in his voice; it's the bitter kind of joke.
It takes him another minute to answer Adrian's question - a minute he spends looking around the bare cell. He's pretty sure the sweatboxes that the POW's got in 'nam were bigger than this place.
"It doesn't tell me shit, Veidt. The last time you were afraid was when I was punching your face in back when you were a kid. Masks that get afraid don't fucking live long, you and I both know it." He takes a moment. He really wishes he had a fucking cigar. "God only knows how Dan managed. Keene Act saved his god damned life."
None of that was a compliment.
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However that memory he can do without and perhaps it's Eddie's intention to touch a nerve because losing control is the first step to losing the battle. Only his blue-green eyes narrow, and it's just slightly. They have more important matters to consider beyond what put the fear into Adrian Veidt the first time he lost a fight to the Comedian. The first and only time. He isn't a child anymore. One day in the City, complete with an unabashed question regarding his dead parents, doesn't count. He could aim for the same blow but Adrian chooses not to address Sally Jupiter. Or Dan. It occurs to him now the first man to figure it out is the same man who hasn't had the end result laid out for him here. If he knew, Eddie would have mentioned it already.
"You're impossible with change. It tells you I could give a damn."
Edward Blake, likely the only person in the world who can get under his skin.
"I'll leave alive."
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That fight must have lingered in Veidt's head longer than he wants to admit. But the words out of the German's mouth (as Eddie will always think of him, the German, the Nazi) make him pause, just for a second. It's the kind of pause that would have let a cigar fall out of his mouth, if he had one.
"Yeah, you'll leave alive. And if you have your way, you'll kill me again." Blake may not have been the smartest mask, but he wasn't any kind of idiot, either. He takes a pause. There's a part of him that wonders if he likes cigars so much because he can hide thought in a drag. The night he died was because he had figured out Adrian's plot, but that wasn't the only reason. Veidt had waited for that moment. "You're not stupid. Two," he holds up a finger, "is better than one, when you're trying to dig your way out of a situation like this."
Eddie Blake doesn't like to be used, for all that he's been in the past fifty years.
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It didn't matter if Eddie's awareness wasn't the only reason. Ozymandias got away with it.
"How much are you willing to follow someone else's lead now," he asks, having no diagram to speak of but he wasn't the one who questioned the very idea of his leadership. He'll keep from having Eddie killed if he can help it because he'll benefit from a show of restraint. It's far from making amends. It's just good business.
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Eddie sits on the bed, his arms crossed, his face in the same kind of doubt that, years ago, had registered when a certain diagram was brought to his attention. "You think that if I live, I'll owe you?" Business might be business, but Eddie likes to know where he stands. There's no two ways about it. If he owes Adrian Veidt, it'll be a cold day in hell where he'll ever repay that. There's only so much Eddie can take.
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"No. If you live you'll have less cause for gaining sympathy from everyone else at the cost of my credibility."
He focuses on the corridor beyond their cell doors but keeps Edward Blake in his peripheral vision.
"Despite your recklessness and your bravado, you still have something to lose if you die," Adrian proposes before looking at the other man, "not that I know what."
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"I don't have anything to lose here," he says, "but I already died once so you could go ahead, and fuck if I'm doing it again." It boils Eddie down to his essence - sheer pigheadedness, maybe, the fact that he's not willing to give an inch. He's called the Comedian for his jokes, even when people are dying, and maybe his death was a laugh too, but this isn't funny anymore. He doesn't ask what the blond's plan is - not yet, anyway. Instead he stands and moves to look out at the same corridor, his arms still crossed over his chest.
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First they should figure out why they're here though he already has an idea.
Second they should figure out where here is. Adrian knows it must be the prison but he doesn't recognize this interior. At all. With no windows and no guards with loose lips that part might prove to be the hardest.
Has anyone noticed the network device under the mattress yet? They're fortunate Eddie didn't punch through it either.
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But the walls are thick, too thick to give any kind of indication of material except for stone.
"If this is the same prison that they had before," he mutters, mostly to himself, but partly to Adrian, "Then it's in the middle of the god-damned monster infested lake." He can't read Adrian's thoughts, but they're his thoughts too.
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He takes a moment to pause, though. "I don't know who planned this, but the goons that dragged us in were big, ugly, and not human." He keeps looking over the cell, and finally lifts the mattress. There's the Network device. He reaches to snatch it up, hopefully before the world's fastest man does.
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"Gentlemen first," says the blond, the only reasoning he'll give aloud.
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Two criminals actually.
That same glee that surprised even himself was not the same as the last. Releasing Rorschach was somehow the right thing. Helping Eddie Blake and Adrian Veidt was a grey area if there ever was one. To let them stay and be subjected to whatever fate waited would be cruel, yes. He could never call himself their friend or ally thereafter. This wasn't conducive to staying in a City forever. Crime and punishment have no meaning if humanity is lost. Perhaps they won't understand his compassion or the nostalgia in him for bygone times when everyone was on one side of the fence.
Goggleless and suitless, here he was right out of bed. Archie hovered steadily, working the same way with bare feet on the gas and break.
"Breaker. Breaker. Archie in flight." In case if anybody had a walky-talky, Dan kept the language sparse.
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Now, how will two full grown men get through a single cell window? Well, needless to say, they've probably commandeered a weapon or two or ten.
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"Hey, did you bring me a cigar?" He manages to yell towards the device as he runs. God, it's good to be back in action.