http://quiesquietis.livejournal.com/ (
quiesquietis.livejournal.com) wrote in
tampered2011-01-17 05:41 pm
☥ log; closed; ongoing
When; Monday afternoon.
Rating; PG, for formal social nicety.
Characters;
primrosella,
schisming,
quiesquietis.
Summary;
Log;
It's slightly after classes conclude for the day that Philomena and Dr. Argento make their way to the Library and their appointment with Princess--or Miss, as Philomena briefed Dr. Argento ahead of time--Rosella. Philomena, of course, isn't nervous at all, or desperately longing for another cigarette as she enters the Library slightly ahead of Dr. Argento. Charlotte would have those kinds of problems, but there's always something a little different about her when she goes by the name that more and more feels more real, even while fewer and fewer people call her by it. Maybe it's just a quietness of the soul as well as the voice, but at least it keeps her somewhat serene, drifting like a pale fragment of ash until they come to where Rosella is among the stacks.
"Oh, hello. Miss Rosella, may I present you to Dr. Argento, the linguistic expert I mentioned before?" Philomena accompanies this little initial introduction with a deeply polite but not overly formal curtsy, one obviously mastered over time, and does nothing so gauche as check to make sure Dr. Argento is following her lead.
(But she very much hopes he is.)
Rating; PG, for formal social nicety.
Characters;
Summary;
Log;
It's slightly after classes conclude for the day that Philomena and Dr. Argento make their way to the Library and their appointment with Princess--or Miss, as Philomena briefed Dr. Argento ahead of time--Rosella. Philomena, of course, isn't nervous at all, or desperately longing for another cigarette as she enters the Library slightly ahead of Dr. Argento. Charlotte would have those kinds of problems, but there's always something a little different about her when she goes by the name that more and more feels more real, even while fewer and fewer people call her by it. Maybe it's just a quietness of the soul as well as the voice, but at least it keeps her somewhat serene, drifting like a pale fragment of ash until they come to where Rosella is among the stacks.
"Oh, hello. Miss Rosella, may I present you to Dr. Argento, the linguistic expert I mentioned before?" Philomena accompanies this little initial introduction with a deeply polite but not overly formal curtsy, one obviously mastered over time, and does nothing so gauche as check to make sure Dr. Argento is following her lead.
(But she very much hopes he is.)

no subject
Again, there's the slight adjustment of formality there, in all its 21st century academic glory. He's also slightly less austere in dress (http://www.polyvore.com/all_these_unopened_doors/set?id=27127015); on what is ostensibly a university level instructors seem to run the gamut from three piece suits to that 'fresh from the Dumpster' ambiance. "And in less ceremonial circles I'm not averse to being called Elliot; my experience holds that persons who insist on the title tend to be masking deeply rooted intellectual insecurity."
Like dudes who drive really flashy cars to compensate for ...stuff.
no subject
"Oh, hello, it's so very nice to meet you, Dr. Argento!" she answers with a curtsy of her own, replacing a few dusty tomes onto their empty shelf in order to greet her visitors properly. "And Miss Philomena, how lovely to see you, too! I do hope you're both well today?"
no subject
"We were hoping to be able to help you puzzle out this conundrum of yours today, if you presently have a moment to spare, but of course we can retire for a time if you're occupied." Philomena's whispering voice, it must be noted, is perfectly suited to the quiet of a library.
no subject
Maybe someday later he will pick Rosella's brain about that. "Yourself as well. Ideally my tagging along will be of use, as there's fairly little call citywide for what specialization I possess."
no subject
Giving her books one last glance to ensure that nothing's out of place or at risk of falling over if she leaves it unattended, she leads her two guests over to one of the Library's tables--one tucked unobtrusively between clusters of shelves, where the only likely chance of being disturbed is by a runaway book darting by. "It's just that the only experience I really have with magic is from what I've been able to teach myself, and so it's rather slow going when I stumble across something I can't puzzle out, since there aren't many people around that could help with it, as you said."
no subject
"My own knowledge is a bit--haplessly disordered, I know bits and pieces of things, but very little of whole things. To put it one way. But between the three of us I'm sure we'll sort it out admirably." She gives every appearance of being confident in this, at least as it pertains to Dr. Argento and Rosella--she's mostly here as a chaperone, in all honesty, but she's not going to mention that out loud.
oh god i am SO SORRY work ate me ;___;
...Anyway. He legs himself into a chair, sitting as much around as in it, because that is the way of persons with such lengthy limbs, and retrieves his glasses case from a hip pocket for the purposes of perching the close-reading glasses his icons do not show on the bridge of his prominent nose. "There seem to be some commonalities in transfer from place to place," he observes of magic in general, "but at the very least if I know nothing I'll refrain from stirring up hopeless confusion."
Rather than give some Manswer like 'AH YES, THE RUNES OF HATHOR. MEANT FOR THE MYSTERIOUS PRODUCTION OF EGGS, I UNDERSTAND.'
not a problem bb!
She pauses, her lower lip catching beneath her teeth as she thinks a moment, then continues, "The Library has a sort of magic about it, too, and it makes it so that one never finds exactly what one is looking for. And I've rather developed a knack for getting around that by now, but the trouble is that I need to know what I am looking for first, so that I can make certain not to look for it when I go. So if you please, is there any chance you could tell me what this is?"
no subject
"It does...have a glamour to it, I can tell that much, a kind of--" she hesitates, her fingertips brushing the invisible edge of the faint radiance she can see, with no idea of whether or not Rosella or Dr. Argento can do the same "--I'm not sure how to put it, except that if this comes from your world it's unlike fae--I can hardly call it magic, can I, next to an actual mage? Fae arts. It does...I'd guess it might have something to do with sharing qualities? I say that because it reminds me of pooka, if they were less silly creatures. This is much redder in tooth and claw."
no subject
Plus, Hermetics actually call their magic 'the arts,' so. He shifts around the table a little so he can drum on its surface without touching Charlotte in the process, as personal space is a precious and highly preserved commodity with...well, definitely Elliot. "That aside, if your particular realm of origin--" this to Rosella-- "boasts a population of shapeshifters, you might be advised to start there. The Jekyll and Hyde aspect of the image, you see?"
...or she may very well not, Elliot realizes. He elucidates: "A man singular in body but dual in visage."
no subject
"I see. Then you think it's a picture of what the spell is meant to do?" she asks gingerly, as the literary reference goes over her head but the elaborated meaning sinks in. "Then the rest of the spell must be missing from beneath it. But why would anyone only rip out the picture and not take the spell itself?"
no subject
"Oh, I can think of a few reasons, first of which being that they didn't want the spell to be identifiable. Or perhaps the picture was torn out deliberately to leave as a clue to guide people to the spell, although that's a bit convoluted. Or it was an accident. However did you acquire the symbol in the first place?" She laces her fingers together primly on the table, keeping her back straight and her inquisitive gaze on Rosella.
no subject
He'll shut up in a second so Rosella can answer the question put to her, but! Magic! Going around all willy-nilly without identification! What kind of cretin, etc etc--excuse him, he'll explain. "If done deliberately and not, as you say, by simple wear and tear on the pages. I personally wouldn't feel pressed to try working a rote - spell, if you prefer - sans surety of result, but then I have the questionable benefit of having singed off my own eyebrows more than once."
Yes. "Curiosity killed the caster, as they say." ...no one says that. "But supplemental imagery alone shouldn't emit active resonance. Ceci n'est pas une pipe, oui?"
Did you know this is why Elliot isn't allowed to interact with human beings, Rosella? Because he talks exactly like this all the time. "Ah--René Magritte, Belgian artist. Renowned for, among other things, a painting of a pipe bearing the initially perplexing declaration 'this is not a pipe.' But he's right, you see--the image of the thing is not the thing, ergo: the image of the spell ought not to be magic on its own. Without language it's only a picture."
no subject
And fortunately, explaining that buys her the time to try to figure out what in the world Elliot has been talking about in the first place, because it's bad enough when cultural references in general go flying over her head, and doubly so when they're delivered with the rapidity of an offended chipmunk's chattering. "Oh, and I--er, I'd hate to try a spell if I didn't know what it was, either, of course. Or if I didn't know exactly how to work it, I suppose. Which is rather why I asked in the first place. So, er...you think it seems magical because of the book it came from, then? And I ought to be looking for one about shapeshifters?"
no subject
"I think what Dr. Argento is getting at more generally is--well, if I understand correctly, the symbol itself may be an important part of the spell. Like a picture in a cookbook showing the proper way to mix ingredients, so to speak, or what your project should look like when it's done. So perhaps the book was torn to undo the working of this spell in particular, and I'm...not quite sure you'd want to be searching for a book that specific." She sucks her lower lip gingerly into her mouth, looking down at the amalgam of man and tiger with her head slightly tilted. "I hardly know any grimoires about one type of spell, it's not very efficient. These tend to be like medieval manuscripts, although that's speculation on my part--if this came from a printing press then it's a different matter. But not many mages enjoy the printing press in their private spellwork, which a few notable exceptions. That's a very long way of saying I'm not sure, isn't it?"