ext_290099 (
oshutup.livejournal.com) wrote in
tampered2008-12-06 01:48 pm
Death to Death [closed]
When; Saturday | December 6 | Late afternoon, going into sundown.
Rating; PG-13? IDK the movies are like lol no bloooood...but there be blood here, so. Yes.
Characters; Caspian (
treadingdawn), Lucy (
lionesscouchant). Jadis (
queenoftraitors), Peter (
oshutup) Susan (
lionessjant) & SPECTATORS (see below cut for details)
Summary; A challenge made in public name of previous personal trespasses, for the otherwise undisclosed purpose of cutting off winter's stone-tipped chill.
Log;
♚detaiiiiils.♕
Location: stadium, looking vaguely like the ring with broken columns and whatnot you see here....but larger as to be in keeping with stadium size, etc, etc. That's a basic idea though.
Annnnd threads will be made for the following 83
I. Pre-duel
a) [locked: Pevensies + Caspian]
b) [locked: Jadis + Allies]
II. Duel [locked: Jadis VS. Peter]
III. Duel [the public, anyone present and watching in the stadium, and while this obviously includes Caspian, Lucy, and Susan, we are opening it for anyone else who would be there and wants to actually do a semi-real-time reaction log. It doesn't have to be fancy, it's just an opportunity that we thought might be interesting to offer, and fun, perhaps. Reply to the main [blank] thread labeled as such with whatever your character is doing, or similarly, to another character's action if you want to interact, reacting.]
IV. Post-duel [locked: Pevensies + Caspian]
Rating; PG-13? IDK the movies are like lol no bloooood...but there be blood here, so. Yes.
Characters; Caspian (
Summary; A challenge made in public name of previous personal trespasses, for the otherwise undisclosed purpose of cutting off winter's stone-tipped chill.
Log;
♚detaiiiiils.♕
Location: stadium, looking vaguely like the ring with broken columns and whatnot you see here....but larger as to be in keeping with stadium size, etc, etc. That's a basic idea though.
Annnnd threads will be made for the following 83
I. Pre-duel
a) [locked: Pevensies + Caspian]
b) [locked: Jadis + Allies]
II. Duel [locked: Jadis VS. Peter]
III. Duel [the public, anyone present and watching in the stadium, and while this obviously includes Caspian, Lucy, and Susan, we are opening it for anyone else who would be there and wants to actually do a semi-real-time reaction log. It doesn't have to be fancy, it's just an opportunity that we thought might be interesting to offer, and fun, perhaps. Reply to the main [blank] thread labeled as such with whatever your character is doing, or similarly, to another character's action if you want to interact, reacting.]
IV. Post-duel [locked: Pevensies + Caspian]

♕DUEL [locked: Jadis + Peter] setting: stadium [arena]
DUEL [locked: Jadis + Peter]
She carries her sword and the wand over which the duel is being fought. She can't use the wand, of course, but it's part of her regalia. And she expects they'd demand to see it anyway, to be sure she hasn't hidden it away from them.
Silently, but with a look of determined challenge, the witch stops at the edge of the stone floor.
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He stops at his own edge of the haphazard ring of broken stone, mind briefly brought back to another duel he fought not so long ago. This is different in so many ways, but whatever nerves he does have do not show on his face, nor in the set of his shoulders, and certainly not by the grip on his sword.
All is confidence, because that is how a king should appear in moments like these.
"The wand," he both acknowledges its presence and orders her release of it as the material purpose for which this fight will take place. He does not raise his voice, because the silence is such that even if he whispered, he could probably be heard by those watching. Composure and rank setting his tone, he makes no motion at the witch. Two words are enough and while she is many a vile thing, she is not stupid. That much has been clear for a very, very long time.
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Presenting the wand in a grand gesture, she raises it high above her head and then plunges it deep into the smooth stone at her feet.
"The wand," she replies, drawing out the words in a snide drawl. Look upon it, Peter. It's the closest you'll ever get.
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She would.
Moving further into what is their own personal battlefield, Peter begins to sidestep, measuring his enemy's lack of movement only for breath's span before aiming a first blow, a straight drive of the blade toward her center.
He has always preferred the direct approach.
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"Impatient fool," Jadis taunts, as she catches the blow with her sword and twists in an effort to use the redirected momentum to force Peter back.
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She lets him move past her but turns with the movement and steps away to draw her second sword. When Peter's strike comes, she parries and then brings the other weapon down with a heavy clang upon his shield.
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The fact that thus far it's been merely a well-matched trading of blow for blow is irritating, and when she sees Peter stumble, she strikes quickly, raising one sword high and bringing it heavily across the upper part of his helm, sending it flying across the arena.
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His head goes back with that strike, and one can't really know if it's helpful that he was just experiencing a similar set of blows or if it's just bothersome because it shouldn't happen again.
Still, he feels like he can almost breathe easier now, falling back even more only to dive back in at her, using his shield to knock hard into her blades, trying to force even one of her grips loose, Rhindon close behind that, engaging one of her blades in an outward push. He doesn't really expect her to drop either of her weapons yet. There wasn't enough momentum in his lunge, but he makes up for that by pushing in closer to her, hilts ringing together without restraint, unafraid despite her stature and ancestral strength.
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It goes on for far too long for the witch's liking, and finally she summons that inhuman strength and shoves at Peter. Sending him flying bodily, crashing into one of the stone pillars outlining the edges of the arena.
Before he even lands, she's moving, rushing at him, swords raised high in the air.
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Somehow, he manages to look up in time to see the witch on a clear path for him. Instead of leaping to his feet to meet her head on as he might, he waits until she's within a sword's reach or a leg's in this case, kicking out to user her own momentum against her and bring her down. Simultaneously, he's using that pull to push himself back to a standing position, turning back toward her, Rhindon coming down in a fast but wide arc, wide enough to be blocked or even attacked through.
The sun is nearly gone.
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There's a moment of satisfaction, when she sees Peter crumpled against the pillar, and it's that satisfaction which clouds her attention so that she doesn't see his sudden movement as she makes to strike him down. She falls heavily, the metal of her armor ringing against the stone. A flash of light strikes his sword's blade as it arcs toward her, lighting it against the dark sky, and she throws her arms upward, crossing her swords to catch his. When a hard push she shoves his sword aside and strikes out toward his shield arm, using the blow to force him away so that she can regain her feet.
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Jaw clenched, he moves back, orienting himself, and he has a moment to notice torches lighting the surrounding area, a false light for a fight that could yet go on for some time. So thinking, he attacks again, not even waiting for her to completely right herself, a heavy downward and angled swing of his own, no mystery to its purpose: a blow to the head if she doesn't rise fast enough, or maybe slicing at the neck if she does.
That is of course supposing she doesn't block, which he is getting tired of her doing, equally as tired as she is of him, but at least it's a mutual feeling.
Hate can be like that.
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Better to give it a less fatal place to land. Jadis surges toward Peter, under the blade, lashing out with a swipe of her own sword toward his leg. There's no room for a real attack, she'll have to rely on the sharpness of the blade and the strength of her arm if she expects to deal any damage, but it might be enough to throw off his own attack.
Not enough for her to avoid feeling Rhindon's edge completely, however. The sword catches the heavy mat of fur protecting her shoulder, sliding downward across and leaving a bloody gash in the flesh of her arm.
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He needs to orient before his next strike, needs to think, even a little. Another blow to her neck? Not likely to be effective unless he can get her on the ground again, is it? Gritting his teeth, swallowing the lingering coppery taste in his mouth, Peter leaps onto the column in front of him, using it to launch into an attack from above, blade meaning to less than politely separate her head from her shoulders, shield held in front of him as best he can manage, which, unfortunately, leaves a lot to be desired.
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She barely has time to find her center again when Peter is leaping at her, that heavy blade glinting, and again the witch finds herself on the defensive. This time, however, she doesn't block the blow. Instead, she throws herself forward to meet him, bodies colliding as Peter's sword slices the air above her head and Jadis bears him to the ground, letting one of her swords clatter against the stone as she grabs onto his injured arm for leverage, and they roll in a bruising tangle of limbs and swords and shield.
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As they collide with it, Peter kicks out hard with both of his legs in an effort to both kick the witch off of him and wind her in the same blow, uninjured arm bringing Rhindon over in a terribly awkward angle, another piercing strike aimed at her shoulder, the one opposite her already injured arm. His ragged breathing is just another reason he doesn't bother to say anything, in addition to actions speaking more loudly. It creates a strange sheltering kind of effect around him, as if there is cotton in his ears and yet everything is amplified, pain, warmth of blood, cold of metal and the absence of the sun.
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But none of that compares to the shock of pain that comes when the point of Peter's sword pierces the witch's arm. With a howl, she brings the pommel of her sword up and strikes Peter hard in the chest.
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This is not as bad as it could be, but it certainly could be better. The dark plays tricks even with the sharpest of eyes, and the torches, equidistant from them, throw light in strange ways that make the witch more horrible seeming than usual, and that, in Peter's not so humble opinion, is saying something.
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Not that it matters, because now he's presented her with the perfect opportunity to put an end to it all.
Before Peter can collect himself enough to make his next strike, Jadis reaches out for her second sword, the one she abandoned and which now lies nearby, easily within her grasp. With a swift and deadly stroke, she thrusts it upward, mimicking her attack a moment earlier, but now with the point of the blade sinking through chain links and into her enemy's flesh.
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He doesn't have to look because the blood is as quick to spread and wet and warm his tunic as it is to coat the blade causing it to shed in the first place. That, is not what he's focused on however. Jadis seems to think he will fall, and he can read it in her expression, her posture, those eyes that sneer of winter and betrayal, of slaughter and something else he can't quite put a word to, even if he knows without question that he despises that too. His chest is tight and but he's coherent enough to feel a little confident in spite of things as he bites away his own breath, leaning on the sword in a way that makes him think: this isn't good.
But it lets him get at just the right angle to send Rhindon driving into her, right at the throat, twisting into it. He's gasping with the witch's blade yet piercing through skin and blood and aught else, vision softening in focus, but he's not going to die. Peter is sure of it.
Lucy's waiting. Susan is hoping. Caspian is watching, never turning away.
He's not going to die, not today, at least. He promised, three times, and a silent fourth for the brother still absent from them.
But you, you are, he thinks, some inarticulate sound escaping him from pain as he pushes his own blade forward just that much further, the course as true as ever, withdrawing it only to send it forward again, this time to where he imagines her heart must be, anatomically anyway.
Even if the end is not by the mouth of a great lion, the sword will do in his absence, by his will and on the High King's honor, his word.
The sword will do.
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